在人們的印象中，烏鎮(zhèn)，是馬頭墻、石拱橋和烏篷船裝點的風情圖卷，而阿麗拉烏鎮(zhèn)項目試圖超越這一聯(lián)想，在21世紀的烏鎮(zhèn)塑造一座今日水鄉(xiāng)。專業(yè)度假酒店設計公司通過規(guī)劃、建筑、室內(nèi)、家具的一體化營造，實現(xiàn)了表達的統(tǒng)一和完整性。

In people's impression, Wuzhen is a picture of horse head wall, stone arch bridge and wupeng boat decoration. Arila Wuzhen project tries to transcend this association and create a modern water town in Wuzhen in the 21st century. Through the integration of planning, architecture, interior and furniture, the professional resort design company has realized the unity and integrity of expression.

酒店的平面布局以傳統(tǒng)江南水鄉(xiāng)聚落空間為原型，其中傳統(tǒng)村落的公共性空間以及公共與私人空間的組織形式是尤為重要的研究對象。酒店設計師提取了村芯、水口、巷道、水渠等標志性的公共空間元素，并延續(xù)了傳統(tǒng)街巷空間的尺度體系。同時，方案也提取了傳統(tǒng)村落多巷道交匯的組團特征，建立起一個風車形網(wǎng)格系統(tǒng)。

The plane layout of the hotel is based on the traditional settlement space of Jiangnan Water Town, in which the public space of traditional villages and the organization form of public and private space are particularly important research objects. The hotel designer has extracted the symbolic public space elements such as village core, water outlet, tunnel and water channel, and has continued the scale system of the traditional street space. At the same time, the scheme also extracts the group characteristics of the intersection of traditional village multi lanes, and establishes a windmill grid system.

阿麗拉烏鎮(zhèn)度假村試圖呈現(xiàn)的，是一座屬于現(xiàn)代人的迷宮，一處新舊交疊的時空。某種意義上，這更接近于一種對于時間的討論——在這里，“傳統(tǒng)”與“現(xiàn)代”都超越了特定時代風格所給予的定義，而歸于抽象的語言。漫步中所獲得的平和與安寧，也正是酒店設計師希望寄與每一位度假者的禮物。

What arilau town resort tries to present is a maze of modern people, a time and space where the old and the new overlap. In a sense, this is closer to a discussion of time - here, both "traditional" and "modern" transcend the definition given by the specific era style and attribute to abstract language. The peace and tranquility obtained in the stroll is exactly the gift that the hotel designer hopes to send to every vacationer.